Guile was generous enough to give me a few of his pencil pieces for me to work on my inking skills. I don't think he has the original pencils on DA. But you should check out his gallery anyway.
This was an on and off piece. I used this to try to break my slump. It seems to have worked (not counting yesterday) and I'm pretty much back in the swing of things.
hatch lines if done in more of a feather from thick to thin would have really made more of a rounded three dimensional feel to this... great piece though... wouldn't mind taking a crack at the pencils myself sometime.
How do you ink this? Do you print out a hard copy then use the tablet or do you just ink on the screen freehand. I knew you could ink pictures this way but it seemed pretty difficult...compared to real inking which do you preffer...and as I may try this myself on day, what type of brushes at what setting worked the best?
Thanks for looking and it looks pretty good to me. Inkers really get the short end of the stick...it's something pretty difficult to master.
Yes, I'm doing much better. Thank you for your concern
As for how I ink. When it's a digital piece (like this one) I keep it digital. Open it in Painter and adjust it so that it measures at least 10 inches wide. I like to work big. I also work at a minimum resolution of 300 DPI. I then copy the original pencil layer to another layer and clear the canvas layer so I have a blank background. Then I create a new layer to do the inks on. Sometimes several. I do this in Painter and Photoshop.
At this point I start playing around with different brushes in both programs until I find a brush that looks good for the style of pencils I'm working with. On the Man-Thing piece [link] I used Painter's "Croquil Pen" set at between 3 and 15 depending on the area I was working on. For the Thing piece [link] I used an "Opaque Acrylic" brush set between 5 and 20.
Both of those pieces were inked in Painter 8.
For this piece I used the same acrylic brush as the Thing piece set between 3 and 15.
As for which I method I prefer. I like both digital and traditional but digital doesn't make me as crazy when if I screw up because I don't have to mix up a batch of white ink.
I tend to prefer digital inking as of late. Because I can play around and experiment with different line weights and techniques without having to worry about messing up the pencils.
It would be nice to see the pencils in order to really comment effectively on the inks. I think it looks better enlarged than in the thumbnail. Maybe a bit too much detail? When it's reduced, it's hard to pick out details. My thought is that if the costume is simple, keep the ink simple. That said, there was alot of effort put into this...didn't look like you just slopped some ink down! Great to hear you're back in the saddle again! Woo hoo!
Inking is always tough to do.
I wish I had learned how all these years.
Thanks for looking and it looks pretty good to me. Inkers really get the short end of the stick...it's something pretty difficult to master.
Hope your doing better too.
As for how I ink. When it's a digital piece (like this one) I keep it digital. Open it in Painter and adjust it so that it measures at least 10 inches wide. I like to work big. I also work at a minimum resolution of 300 DPI. I then copy the original pencil layer to another layer and clear the canvas layer so I have a blank background. Then I create a new layer to do the inks on. Sometimes several. I do this in Painter and Photoshop.
At this point I start playing around with different brushes in both programs until I find a brush that looks good for the style of pencils I'm working with. On the Man-Thing piece [link] I used Painter's "Croquil Pen" set at between 3 and 15 depending on the area I was working on. For the Thing piece [link] I used an "Opaque Acrylic" brush set between 5 and 20.
Both of those pieces were inked in Painter 8.
For this piece I used the same acrylic brush as the Thing piece set between 3 and 15.
As for which I method I prefer. I like both digital and traditional but digital doesn't make me as crazy when if I screw up because I don't have to mix up a batch of white ink.
I tend to prefer digital inking as of late. Because I can play around and experiment with different line weights and techniques without having to worry about messing up the pencils.